{"id":85,"date":"2021-10-12T19:00:07","date_gmt":"2021-10-12T17:00:07","guid":{"rendered":"https:\/\/teachorperish.zelinovi.cz\/?page_id=85"},"modified":"2022-01-17T09:42:10","modified_gmt":"2022-01-17T08:42:10","slug":"ja-student-a-vedec","status":"publish","type":"page","link":"https:\/\/teachorperish.zelinovi.cz\/index.php\/ja-student-a-vedec\/","title":{"rendered":"J\u00e1 &#8211; student a v\u011bdec"},"content":{"rendered":"<h2>Cesta do hlubin publikov\u00e1n\u00ed odborn\u00e9ho \u010dl\u00e1nku<\/h2>\n\n\n<div class=\"wp-block-image is-style-rounded\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2022\/01\/img108-736x1024.jpg\" alt=\"\" class=\"wp-image-329\" width=\"263\" height=\"366\" srcset=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2022\/01\/img108-736x1024.jpg 736w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2022\/01\/img108-216x300.jpg 216w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2022\/01\/img108-768x1068.jpg 768w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2022\/01\/img108-1105x1536.jpg 1105w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2022\/01\/img108-1473x2048.jpg 1473w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2022\/01\/img108-scaled.jpg 1841w\" sizes=\"auto, (max-width: 263px) 100vw, 263px\" \/><\/figure><\/div>\n\n\n<p style=\"text-align: right;\"><strong>Mgr. Tereza Zelinov\u00e1<\/strong><\/p>\n<p style=\"text-align: right;\"><strong><a href=\"mailto:489427@muni.cz\">489427@muni.cz<\/a><\/strong><\/p>\n<p style=\"text-align: right;\"><strong>\u00dastav jazykov\u011bdy a baltistiky \u2013 Filozofick\u00e1 fakulta Masarykovy univerzity<\/strong><\/p>\n<p style=\"text-align: right;\"><strong>Kl\u00ed\u010dov\u00e1 slova:<\/strong> vztah fantasy a m\u00fdtu, fantasy literatura, fik\u010dn\u00ed sv\u011bty fantasy literatury, m\u00fdtus a fantasy, liter\u00e1rn\u00ed v\u011bda a religionistika, inicia\u010dn\u00ed cesta hrdiny, Joseph Campbell<\/p>\n<p>Vy\u0161el mi \u010dl\u00e1nek! Kone\u010dn\u011b jdu v akademick\u00e9 obci vid\u011bt a m\u00e1m si co d\u00e1t na sv\u016fj profil na <a href=\"https:\/\/www.researchgate.net\/profile\/Tereza-Zelinova\">ResearchGate<\/a>! Zat\u00edm jsem se v\u011bnovala sp\u00ed\u0161e <a href=\"https:\/\/www.sarden.cz\/2021-09-26-2041\/nedelnik-je-fantastika-worthy\">popularizaci<\/a> sv\u00e9ho oboru, tak\u017ee je pro m\u011b tento po\u010din velk\u00fdm \u00fasp\u011bchem. R\u00e1da bych se s v\u00e1mi pod\u011blila o cestu, kter\u00e1 vedla ke vzniku \u00favahy o vztahu fantasy a m\u00fdtu a mo\u017enostech zkoum\u00e1n\u00ed liter\u00e1rn\u00edho d\u00edla pomoc\u00ed teori\u00ed v\u00fdznamn\u00fdch autor\u016f mytokritiky. Poj\u010fme se spole\u010dn\u011b pod\u00edvat na jednotliv\u00e9 kroky.<\/p>\n<h3 style=\"text-align: center;\">1.Nastolen\u00ed v\u00fdzkumn\u00e9ho probl\u00e9mu a pro\u010d to vlastn\u011b d\u011bl\u00e1m<\/h3>\n<p>Pot\u0159eba zamyslet se nad vztahem m\u00fdtu a fantasy vy\u0161la z t\u00e9matu m\u00e9 diserta\u010dn\u00ed pr\u00e1ce o archetypech v sou\u010dasn\u00e9 \u010desk\u00e9 fantasy a jedna z kapitol bude v\u011bnov\u00e1na archetyp\u016fm v souvislostech mytokritiky. T\u00e9ma fantasy bylo zvoleno p\u0159edev\u0161\u00edm proto, \u017ee \u010desk\u00e1 liter\u00e1rn\u00ed v\u011bda tento \u017e\u00e1nr v sou\u010dasn\u00e9 dob\u011b docela opom\u00edj\u00ed. Ze sou\u010dasn\u00fdch \u010desk\u00fdch liter\u00e1rn\u00edch v\u011bdc\u016f jmenujme v\u00fdjimky jako nap\u0159. Terezu D\u011bdinovou, Jana K\u0159e\u010dka \u010di Anton\u00edna K. K. Kudl\u00e1\u010de. Za velice kvalitn\u00ed lze pova\u017eovat i diplomovou pr\u00e1ci Borise Hokra a v ned\u00e1vn\u00e9 dob\u011b (6. 1. 2022) vy\u0161lo \u010d\u00edslo <em>Tvaru<\/em> v\u011bnovan\u00e9 \u010desk\u00e9 fantasy. V\u011bt\u0161inou se ale jedn\u00e1 o pr\u00e1ce historicko-analytick\u00e9, popul\u00e1rn\u011b nau\u010dn\u00e9 a v p\u0159\u00edpad\u011b teoretick\u00fdch doch\u00e1z\u00ed ke zkoum\u00e1n\u00ed fantastiky zahrani\u010dn\u00ed. Tud\u00ed\u017e k textov\u00fdm anal\u00fdz\u00e1m \u010desk\u00e9 fantasy doch\u00e1z\u00ed pouze na \u00farovni diplomov\u00fdch prac\u00ed nebo v\u016fbec.\u00a0\u00a0<br \/>Hlavn\u00edmi ot\u00e1zkami kapitoly o mytokritice, archetypech a fantasy literatu\u0159e, tud\u00ed\u017e i hlavn\u00edmi ot\u00e1zkami m\u00e9ho \u010dl\u00e1nku tedy jsou:<\/p>\n<p style=\"text-align: center;\">Jak\u00fd je vztah m\u00fdtu a fantasy?<\/p>\n<p style=\"text-align: center;\">Jak\u00e9 n\u00e1stroje mytokritiky lze aplikovat na fantasy?<\/p>\n<p>Samoz\u0159ejm\u011b, ihned po polo\u017een\u00ed m\u011b za\u010daly napadat ot\u00e1zky nov\u00e9 jako nap\u0159. Lze fantasy pova\u017eovat za novodob\u00fd m\u00fdtus? Kde je hranice mezi m\u00fdtem a fantasy? Z jak\u00e9 mytologie fantasy nej\u010dast\u011bji \u010derp\u00e1? Jak z n\u00ed \u010derp\u00e1? Lze v\u016fbec fantasy zkoumat stejn\u011b jako m\u00fdty? ad. Vzhledem k tomu, \u017ee jsem byla omezena rozsahem, sna\u017eila jsem se prim\u00e1rn\u011b odpov\u00eddat na prvn\u00ed dv\u011b a ke zbyl\u00fdm se podrobn\u011bji vyj\u00e1d\u0159\u00edm ve sv\u00e9 diserta\u010dn\u00ed pr\u00e1ci.<\/p>\n<h3 style=\"text-align: center;\">2.Hled\u00e1n\u00ed sekund\u00e1rn\u00ed literatury<\/h3>\n<p>P\u0159ed samotn\u00fdm hled\u00e1n\u00edm je vhodn\u00e9 zamyslet se nad kl\u00ed\u010dov\u00fdmi slovy, kter\u00e1 budu vyu\u017e\u00edvat jako n\u00e1stroj samotn\u00e9ho vyhled\u00e1v\u00e1n\u00ed bez ohledu na platformu. V tomto p\u0159\u00edpad\u011b to byl<strong> M\u00fdtus, fantasy, fantasy literatura, mytologie, vztah m\u00fdtu a fantasy, anal\u00fdza m\u00fdtu.<\/strong> Mus\u00edm se p\u0159iznat, \u017ee celkov\u00e9 vyhled\u00e1v\u00e1n\u00ed mi dost usnadnilo m\u00e9 \u00fasp\u011b\u0161n\u00e9 spln\u011bn\u00ed p\u0159edm\u011btu <em>M\u00fdtus a ritu\u00e1l<\/em> na \u00dastavu religionistiky FF MUNI, kde jsem se sezn\u00e1mila se z\u00e1kladn\u00edmi teoriemi mytokritiky a vylu\u010dovac\u00ed metodou sv\u016fj z\u00e1jem z\u00fa\u017eila p\u0159edev\u0161\u00edm na osobnost Josepha Cambella.<\/p>\n<p>Sekund\u00e1rn\u00ed literaturu jsme vyhled\u00e1vala krom\u011b samotn\u00e9ho Googlu p\u0159edev\u0161\u00edm na t\u011bchto str\u00e1nk\u00e1ch:\u00a0<\/p>\n<p style=\"text-align: center;\">www.theses.cz<br \/>www.scholar.google.com<br \/>www.jstor.org<br \/>www.scopus.com<br \/>www.researchgate.net<\/p>\n<p>P\u0159i vyhled\u00e1v\u00e1n\u00ed zdroj\u016f v anglick\u00fdch datab\u00e1z\u00edch jsem samoz\u0159ejm\u011b pou\u017e\u00edvala anglick\u00e9 p\u0159eklady kl\u00ed\u010dov\u00fdch slov s ohledem na odli\u0161n\u00e9 ch\u00e1p\u00e1n\u00ed term\u00ednu fantasy v \u010de\u0161tin\u011b a angli\u010dtin\u011b.<\/p>\n<h3 style=\"text-align: center;\">3. N\u00e1sledn\u00e1 pr\u00e1ce s literaturou<\/h3>\n<p>Po pro\u010dten\u00ed v\u0161ech \u010dl\u00e1nk\u016f, stat\u00ed a kapitol v knih\u00e1ch v\u011bnuj\u00edc\u00edch se problematice vztahu fantasy a m\u00fdtu a Campbellov\u011b inicia\u010dn\u00ed cest\u011b hrdiny, kter\u00e1 byla zvolena jako jeden z nejvhodn\u011bj\u0161\u00edch n\u00e1stroj\u016f pro anal\u00fdzu fantasy literatury, byly vytvo\u0159eny tyto pozn\u00e1mky vych\u00e1zej\u00edc\u00ed ze synt\u00e9zy dostupn\u00fdch zdroj\u016f. P\u0159i prov\u00e1d\u011bn\u00ed anal\u00fdzy a pozn\u00e1mek si v\u017edy p\u00ed\u0161i str\u00e1nky a odkazy, kde jsem dan\u00e9 my\u0161lenky na\u0161la. Dost to usnadn\u00ed dal\u0161\u00ed pr\u00e1ci. Takt\u00e9\u017e doporu\u010duji sp\u00ed\u0161e my\u0161lenky vyj\u00e1d\u0159it vlastn\u00edmi slovy ve vztahu k t\u00e9matu, k p\u0159\u00edm\u00fdm citac\u00edm se uchylujte, jen kdy\u017e to je nezbytn\u011b nutn\u00e9 :<\/p>\n<ul>\n<li>Vztahu religionistiky\/ mytologie a fantasy se u\u017e v\u011bnoval David Zb\u00edral. Jedn\u00e1 se sp\u00ed\u0161e o pohled religionisty na \u017e\u00e1nr fantasy, ale pro m\u011b jako liter\u00e1rn\u00edho v\u011bdce je velmi cenn\u00fd &#8211; p\u0159in\u00e1\u0161\u00ed nov\u00e9 souvislosti, kter\u00e9 liter\u00e1rn\u00ed v\u011bda nevid\u00ed.<\/li>\n<li>Archetyp\u00e1ln\u00ed anal\u00fdza m\u00e1 v liter\u00e1rn\u00ed v\u011bd\u011b pevn\u00e9 m\u00edsto &#8211; interdisciplinarita psychoanal\u00fdzy, strukturalismu, filosofie, religionistiky a antropologie.<\/li>\n<li>Archetypy se mimo jin\u00e9 zab\u00fdval i Claude L\u00e9vi-Strauss \u010di M\u00edrcea Elliade. Jungi\u00e1nsk\u00e9mu pojet\u00ed bude v\u011bnov\u00e1na samostatn\u00e1 kapitola (kv\u016fli p\u016fvodu sp\u00ed\u0161e v psychoanalytick\u00e9 v\u011bd\u011b ne\u017e religionistice). Zaj\u00edmav\u00fdm pohledem na fantasy by byla tak\u00e9 aplikace trojfunk\u010dn\u00edho modelu Georgese Dum\u00e9zila.<\/li>\n<li>Anglofonn\u00ed liter\u00e1rn\u00ed v\u011bda zab\u00fdvaj\u00edc\u00ed se fantastikou &#8211; Brian Attebery, Marek Oziewicz, Ursula K. Le Guin\n<ul>\n<li>Brian Attebery v d\u00edle <em>Stories about Stories: Fantasy and Remaking of Myth<\/em> potvrzuje mou hypot\u00e9zu, \u017ee fantasy m\u00fdtus reinterpretuje a zasazuje jej do kontextu aktu\u00e1ln\u00edho sv\u011bta.<\/li>\n<li>Na Briana Atteberyho navazuje Tereza D\u011bdinov\u00e1: <em style=\"font-size: revert;\">\u201eFantasy jako liter\u00e1rn\u00ed forma p\u0159eb\u00edr\u00e1 funkci tradovan\u00e9ho m\u00fdtu, ov\u0161em bez jeho autoritativnosti, a zobrazuje hlub\u0161\u00ed skute\u010dnost a smysl sv\u011bta a pro\u017e\u00edv\u00e1n\u00ed\u201c<\/em><span style=\"font-size: revert;\"> (viz Tereza D\u011bdinov\u00e1 &#8211; Po divn\u00e9 krajin\u011b, 90).<\/span><\/li>\n<li>K fantasy p\u0159istupovat jako k jak\u00fdmsi nov\u00fdm m\u00fdt\u016fm \u2013 fantasy m\u00fdtus o\u017eivuje, reinterpretuje, uv\u00e1d\u00ed jej do kontextu modern\u00edho sv\u011bta, v n\u011bm\u017e lid\u00e9 pot\u0159ebuj\u00ed sv\u00e9 m\u00fdty a p\u0159\u00edb\u011bhy (viz Rudolf Otto a jeho teze, \u017ee \u010dlov\u011bk tou\u017e\u00ed po kontaktu s posv\u00e1tnem (viz Rudolf Otto: <i>Posv\u00e1tno. Iracionalita v ideji bo\u017estv\u00ed a jej\u00ed pom\u011br k racionalit\u011b<\/i>, 45\u201350)).<\/li>\n<\/ul>\n<\/li>\n<li>Joseph Campbell je kritizov\u00e1n pro svou schemati\u010dnost p\u0159edev\u0161\u00edm Brianem Atteberym.<\/li>\n<li>Kde jsou rozd\u00edly mezi m\u00fdtem a fantasy?\n<ul>\n<li>Fantasy je my\u0161lena a m\u00e1 b\u00fdt \u010dtena p\u0159edev\u0161\u00edm jako beletrie, zat\u00edmco n\u00e1bo\u017eensk\u00e9 a mytick\u00e9 texty maj\u00ed za c\u00edl sv\u00fdm \u010dten\u00e1\u0159\u016fm p\u0159edat jist\u00e9 mor\u00e1ln\u00ed hodnoty, vzorce chov\u00e1n\u00ed, zp\u016fsob \u017eivota a podobn\u011b, kter\u00e9 jsou hodny n\u00e1sledov\u00e1n\u00ed a kter\u00e9 si maj\u00ed p\u0159\u00edjemci osvojit. (D\u011aDINOV\u00c1 2015, 27-28).\u00a0<\/li>\n<li>M\u00fdty jsou tzv. Ko\u0159enov\u00e9 texty (viz John Clute: <em>Taproot Texts<\/em>)\u00a0<\/li>\n<li>Fantasy si m\u016f\u017ee dovolit dekonstrukci, p\u0159evracen\u00ed stereotyp\u016f a nov\u00e9 uchopov\u00e1n\u00ed l\u00e1tky (viz Luisa Nov\u00e1kov\u00e1: <i>Prolog<\/i>. In: <i>Na rozhran\u00ed sv\u011bt\u016f: fantastick\u00e1 literatura v mezioborov\u00e9m zkoum\u00e1n<\/i>, 218)<\/li>\n<li>mytopoetick\u00e1 fantasy m\u016f\u017ee vyu\u017e\u00edvat star\u00e9, klasick\u00e9 mytologie stejn\u011b jako sou\u010dasn\u00e9 m\u00fdty vytv\u00e1\u0159en\u00e9 na\u0161\u00ed civilizac\u00ed a p\u0159\u00edtomn\u00e9 v na\u0161em ka\u017edodenn\u00edm \u017eivot\u011b. (viz Marek Oziewicz: <em>One earth, one people: the mythopoeic fantasy series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L&#8217;Engle and Orson Scott Card<\/em>, 84)<\/li>\n<\/ul>\n<\/li>\n<li>M\u00fdtus byl a st\u00e1le je kl\u00ed\u010dov\u00fd pro \u010dlov\u011bka z hlediska ch\u00e1p\u00e1n\u00ed sv\u011bta &#8211; fantasy m\u00fdty o\u017eivuje a t\u00edm lidem pom\u00e1h\u00e1 vid\u011bt, ch\u00e1pat sv\u011bt. Z\u00e1rove\u0148 zde ale nelze m\u00fdtus zredukovat na pouh\u00e9 vysv\u011btlen\u00ed jev\u016f, kter\u00fdm jsme nerozum\u011bli a t\u0159eba st\u00e1le nerozum\u00edme (D\u011aDINOV\u00c1 2015, 89).<\/li>\n<li>P\u0159ijmout v\u011bdeck\u00fd v\u00fdklad sv\u011bta jako jedin\u00fd mo\u017en\u00fd znamen\u00e1 v podstat\u011b zredukovat lidskou bytost na odosobn\u011bn\u00fd \u010dist\u00fd rozum (viz Ursula K. Le Guin: <i>The language of the night: essays on fantasy and science fiction<\/i>, 69).<\/li>\n<\/ul>\n<h3 style=\"text-align: center;\">4. Co z toho vypl\u00fdv\u00e1 pro mou pr\u00e1ci<\/h3>\n<p>Nyn\u00ed si tedy stru\u010dn\u011b shrneme, co n\u00e1m \u0159\u00edkaj\u00ed zdroje:<\/p>\n<p style=\"text-align: center;\"><em>Ji\u017e padl konsenzus o bl\u00edzkosti fantasy a m\u00fdtu. M\u00fdtus je v tomto p\u0159\u00edpad\u011b ch\u00e1p\u00e1n jako inspira\u010dn\u00ed zdroj a v\u00fdchoz\u00ed text, odkud fantasy \u010derp\u00e1 sv\u00e9 n\u00e1m\u011bty v r\u016fzn\u00fdch podob\u00e1ch. Fantasy si v \u017e\u00e1dn\u00e9m p\u0159\u00edpad\u011b nen\u00e1rokuje \u017e\u00e1dnou kulturn\u00ed nebo n\u00e1bo\u017eenskou autoritu. Proto je zapot\u0159eb\u00ed hledat religionistick\u00e9 teorie, kter\u00e9 zkoumaj\u00ed m\u00fdty jako liter\u00e1rn\u00ed text a do pozad\u00ed stav\u00ed jejich n\u00e1bo\u017eenskou funkci. Proto byly vy\u0159azeny teorie J. G. Frazera, L. L\u00e9vy-Bruhla, \u00c9. Durkheima, B. Malinowskeho ad. Pro pot\u0159eby \u010dl\u00e1nku byla potvrzena d\u016fle\u017eitost inicia\u010dn\u00ed cesty Josepha Campbella s pozn\u00e1mkou o riziku schemati\u010dnosti uveden\u00e9m Brianem Atteberym.<\/em><\/p>\n<p>P\u0159i v\u00fdzkumu m\u011b napadly dal\u0161\u00ed ot\u00e1zky &#8211; lze v\u016fbec pou\u017e\u00edt tyto n\u00e1stroje na fik\u010dn\u00ed sv\u011bty, kter\u00e9 jsou kone\u010dn\u00e9 a obsahuj\u00ed tzv. mezery? V\u017edy\u0165 i fik\u010dn\u00ed sv\u011bty fantasy obsahuj\u00ed mytologick\u00e9 syst\u00e9my, odkud \u010derpaj\u00ed inspiraci? Pova\u017euji za nutn\u00e9 se s t\u011bmito ot\u00e1zkami vyrovnat minim\u00e1ln\u011b v r\u00e1mci pozn\u00e1mky. Budu vych\u00e1zet p\u0159edev\u0161\u00edm z teori\u00ed Lubom\u00edra Dole\u017eela, Wolfganga Isera, Marie &#8211; Laure Ryan, Bohumila Fo\u0159ta \u010di Umberta Eca. Ale to u\u017e bude dal\u0161\u00ed samostatn\u00e1 anal\u00fdza.<\/p>\n<h3 style=\"text-align: center;\">5. Seznam literatury pou\u017eit\u00e9 a vhodn\u00e9 pro dal\u0161\u00ed v\u00fdzkum<\/h3>\n<ol>\n<li>ATTEBERY, Brian. <em>Stories about stories: fantasy and the remaking of myth<\/em>. Oxford: Oxford<br \/>University Press, 2014. ISBN 978\u20130\u201319\u2013931606\u20139.<\/li>\n<li>CAMPBELL, Joseph. <em>Tis\u00edc tv\u00e1\u0159\u00ed hrdiny: archetyp hrdiny v prom\u011bn\u00e1ch v\u011bk\u016f<\/em>. Praha: Port\u00e1l,<br \/>2000. ISBN 80\u20137178\u2013354\u20134.<\/li>\n<li>CLUTE, John. <em>Taproot Texts<\/em>. In: <em>The Encyclopedia of Fantasy<\/em>. Eds. John Clute and John<br \/>Grant. London: Orbit, 1. 6. 1997 [online]. [cit. 8.3.2021]. Dostupn\u00e9 na: http:\/\/sf-encyclopedia.uk\/fe.php?nm=taproot_texts<\/li>\n<li>D\u011aDINOV\u00c1, Tereza. <em>Po divn\u00e9 krajin\u011b: charakteristika a vnit\u0159n\u00ed \u010dlen\u011bn\u00ed fantastick\u00e9 literatury<\/em>.<br \/>Brno: Filozofick\u00e1 fakulta, Masarykova univerzita, 2015. ISBN 978\u201380\u2013210\u20137871\u20130.<\/li>\n<li>HRAB\u00c1KOV\u00c1, Lu\u010fka. Vybran\u00e9 kapitoly z kulturn\u00ed antropologie. Liberec: Technick\u00e1 univerzita, 2002. Studijn\u00ed texty pro distan\u010dn\u00ed studium. ISBN 80\u20137083\u2013617\u20132.<\/li>\n<li>KOZ\u00c1K, A. Jan. <em>Tolkien\u016fv m\u00fdtus<\/em>. Tvar: obt\u00fdden\u00edk \u017eiv\u00e9 literatury 2020 [online]. Dostupn\u00e9 na: https:\/\/itvar.cz\/tolkienuv-mytus<\/li>\n<li>LE GUIN, Ursula K. and Susan WOOD (ed): <i style=\"font-size: revert;\">The language of the night: essays on fantasy and science fiction<\/i><span style=\"font-size: revert;\">. New York: Harper Perennial 1992. ISBN 0-06-092412-8.<\/span><\/li>\n<li>NOV\u00c1KOV\u00c1, Luisa: <i style=\"font-size: revert;\">Prolog<\/i><span style=\"font-size: revert;\">. In: <\/span><i style=\"font-size: revert;\">Na rozhran\u00ed sv\u011bt\u016f: fantastick\u00e1 literatura v mezioborov\u00e9m zkoum\u00e1n\u00ed<\/i><span style=\"font-size: revert;\">. Ed. Tereza D\u011bdinov\u00e1. Brno 2016. s. 217-220. ISBN 978-80-210-8441-4.<\/span><\/li>\n<li>OTTO, Rudolf<b style=\"font-size: revert;\">.<\/b><span style=\"font-size: revert;\">\u00a0<\/span><i style=\"font-size: revert;\">Posv\u00e1tno. Iracionalita v ideji bo\u017estv\u00ed a jej\u00ed pom\u011br k racionalit\u011b.<\/i><span style=\"font-size: revert;\"> Praha: Vy\u0161ehrad, 1998. ISBN <\/span><span style=\"font-size: revert;\">80-7021-260-8.<\/span><\/li>\n<li>OZIEWICZ, Marek: <i style=\"font-size: revert;\">One earth, one people: the mythopoeic fantasy series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L&#8217;Engle and Orson Scott Card<\/i><span style=\"font-size: revert;\">. Jefferson, N.C.: McFarland &amp; Company, c2008. Critical explorations in science fiction and fantasy. ISBN 978-0-7864-3135-9.<\/span><\/li>\n<li>PADEN, E. William,\u00a0<i style=\"font-size: revert;\">B\u00e1d\u00e1n\u00ed o posv\u00e1tnu. N\u00e1bo\u017eenstv\u00ed ve spektru interpretac\u00ed. Brno:<\/i><span style=\"font-size: revert;\"> Masarykova univerzita, 2002. ISBN 80-210-2977-3.<\/span><\/li>\n<li>SANDOR, Andras. <em>Myths and the Fantastic<\/em>. New Literary History XXII, 1991, \u010d. 2, s. 339\u2013358 [online]. Dostupn\u00e9 na: https:\/\/doi.org\/10.2307\/469042.<\/li>\n<li>SWINFEN, ANN<b style=\"font-size: revert;\">. <\/b><i style=\"font-size: revert;\">In Defence of Fantasy: A Study of the Genre in English and American Literature since 1945.<\/i><span style=\"font-size: revert;\">\u00a0 London: Routledge &amp; Kegan Paul, 1984. ISBN 9780367336851.<\/span><\/li>\n<li>TOLKIEN, John Ronald Reul. <em>Tree and Leaf: Including MYTHOPOEIA<\/em>. London: Harper Colins, 2012. ISBN 978\u20130\u201300\u2013710504\u20135.<\/li>\n<li>VOGLER, Christopher. The Writer&#8217;s Journey: Mythic Structure for Writers. 3. edition.<br \/>CA: Michael Wiese Productions, 2007, 300 s. ISBN 978-1-932907-36-0.<\/li>\n<li>ZB\u00cdRAL, David. <em>\u017d\u00e1nr fantasy a religionistika<\/em>. David Zb\u00edral: pov\u00eddky fantasy 18.11.2006 [online].\u00a0 Dostupn\u00e9 na: http:\/\/www.david-zbiral.cz\/fantrel.htm<\/li>\n<\/ol>\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n<h2 style=\"text-align: center;\">Odpov\u011bdi na z\u00e1kladn\u00ed ot\u00e1zky studia, v\u011bdy a v\u016fbec<\/h2>\n\n\n<div class=\"wp-block-image is-style-rounded\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/12\/StarTrek300051-766x1024.jpg\" alt=\"\" class=\"wp-image-298\" width=\"368\" height=\"492\" srcset=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/12\/StarTrek300051-766x1024.jpg 766w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/12\/StarTrek300051-224x300.jpg 224w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/12\/StarTrek300051-768x1027.jpg 768w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/12\/StarTrek300051-1149x1536.jpg 1149w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/12\/StarTrek300051-1532x2048.jpg 1532w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/12\/StarTrek300051.jpg 1629w\" sizes=\"auto, (max-width: 368px) 100vw, 368px\" \/><\/figure><\/div>\n\n\n<p style=\"text-align: center;\"><strong>1.Jak m\u016f\u017eeme hodnotit objektivitu v odborn\u00e9m textu (nap\u0159\u00edklad v jednotliv\u00fdch \u010d\u00e1stech)?<\/strong><\/p>\n<p>Pro m\u011b je objektivita velmi o\u0161emetn\u00e1 v\u011bc. Vzhledem k tomu, \u017ee zkoum\u00e1m pole, kter\u00e9 p\u0159ede mnou nikdo po\u0159\u00e1dn\u00e9 nezoral a pokud ano, zvolil sp\u00ed\u0161e formu populariza\u010dn\u00edho textu, tak mus\u00edm na\u0161lapovat velmi opatrn\u011b. Objektivitu m\u00e1m spojenou p\u0159edev\u0161\u00edm s odkazov\u00e1n\u00edm na dal\u0161\u00ed dostupn\u00e9 zdroje a jak\u00e9koliv z\u00e1v\u011bry by m\u011bly vych\u00e1zet z ov\u011b\u0159en\u00fdch argument\u016f (ano, op\u011bt ozdrojovan\u00fdch) uveden\u00fdch v p\u0159edchoz\u00ed \u010d\u00e1sti pr\u00e1ce. Bez zdroj\u016f nen\u00ed objektivita a autor v m\u00fdch o\u010d\u00edch va\u0159\u00ed z vody.<\/p>\n<p><\/p>\n<p style=\"text-align: center;\"><strong>2. Jak\u00e1 je (rozd\u00edlnost) relevance blogov\u00e9ho p\u0159\u00edsp\u011bvku akademika, odborn\u00e9ho recenzovan\u00e9ho \u010dl\u00e1nku, bakal\u00e1\u0159sk\u00e9 pr\u00e1ce a p\u0159\u00edsp\u011bvku na Twitteru pro va\u0161i odbornou semin\u00e1rn\u00ed pr\u00e1ci na univerzit\u011b? Za jak\u00fdch okolnost\u00ed jsou relevantn\u00ed a kdy je pou\u017e\u00edt nelze?<\/strong><\/p>\n<p>Ve sv\u00e9 diserta\u010dn\u00ed pr\u00e1ci pou\u017e\u00edv\u00e1m v\u0161echny typy zdroj\u016f &#8211; od recenzovan\u00fdch \u010dl\u00e1nk\u016f v \u010dasopise p\u0159es blogov\u00e9 p\u0159\u00edsp\u011bvky autor\u016f prim\u00e1rn\u00ed literatury, kte\u0159\u00ed jsou ve fandomu pova\u017eov\u00e1ni z\u00e1rove\u0148 za teoretiky \u017e\u00e1nru. D\u016fvod je jednoduch\u00fd a op\u011bt mnohokr\u00e1t zmi\u0148ovan\u00fd &#8211; nem\u00e1m moc na v\u00fdb\u011br a to doslova. Samoz\u0159ejm\u011b, v\u011bt\u0161ina m\u00e9ho v\u00fdzkumu stoj\u00ed na m\u00e9 pr\u00e1ci v podob\u011b proch\u00e1zen\u00ed edi\u010dn\u00edch pl\u00e1n\u016f nakladatelstv\u00ed, recenz\u00ed v \u017e\u00e1nrov\u00fdch \u010dasopisech a spole\u010dn\u011b s v\u00fd\u0161e uveden\u00fdmi zdroji vytvo\u0159\u00edm (douf\u00e1m) kvalitn\u00ed z\u00e1klad pro dal\u0161\u00ed v\u00fdzkum. Samoz\u0159ejm\u011b, doporu\u010duji si p\u0159edem vytvo\u0159it \u0161k\u00e1lu relevance, proto\u017ee bakal\u00e1\u0159sk\u00e1 (a \u010dasto i diplomov\u00e1) pr\u00e1ce b\u00fdv\u00e1 mnohdy jen zdrojem sekund\u00e1rn\u00ed literatury.&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>3. Jak rychle b\u011b\u017e\u00ed \u010das ve va\u0161em oboru? Jak ur\u010d\u00edte aktu\u00e1lnost zdroj\u016f pro svou pr\u00e1ci?<\/strong><\/p>\n<p>Vzhledem k tomu, \u017ee knihy vych\u00e1zej\u00ed neust\u00e1le, tak materi\u00e1l neust\u00e1le roste. Co se t\u00fd\u010de teori\u00ed, kter\u00e9 jsou vyu\u017e\u00edv\u00e1ny jako n\u00e1stroje pro anal\u00fdzu, se oproti rychlosti r\u016fstu materi\u00e1lu nerozv\u00edj\u00ed tak rychle.<\/p>\n<p style=\"text-align: center;\"><strong>4. Jak\u00fdmi zp\u016fsoby m\u016f\u017eete jako auto\u0159i prok\u00e1zat schopnost pr\u00e1ce se zdroji?<\/strong><\/p>\n<p>Rozhodn\u011b spr\u00e1vn\u00fdm uveden\u00edm zdroj\u016f v z\u00e1v\u011bru a um\u011bt se p\u0159izp\u016fsobit&nbsp; po\u017eadavk\u016fm r\u016fzn\u00fdch \u010dasopis\u016f. Velmi u\u017eite\u010dn\u00e1 je i DOI forma. A tak\u00e9 je t\u0159eba m\u00edt na pam\u011bti, \u017ee v\u011bdeck\u00e1 pr\u00e1ce by nem\u011bla b\u00fdt pouze kompilac\u00ed citac\u00ed, ale souvisl\u00fdm textem, kde daleko l\u00e9pe vypadaj\u00ed parafr\u00e1ze.<\/p>\n<p style=\"text-align: center;\"><strong>5. Na jak\u00e9 manipulace s informacemi si chcete d\u00e1t pozor v b\u011b\u017en\u00e9m \u017eivot\u011b \u010di v odborn\u00e9 pr\u00e1ci? Jak toho m\u016f\u017eete doc\u00edlit?<\/strong><\/p>\n<p>Moc si nedok\u00e1\u017eu p\u0159edstavit, jak bych ve sv\u00e9 diserta\u010dn\u00ed pr\u00e1ci mohla manipulovat s daty. Napad\u00e1 m\u011b mo\u017en\u00e9 zaml\u010den\u00ed fakt\u016f, kter\u00e9 se mi nehod\u00ed a odporuj\u00ed m\u00fdm tez\u00edm nebo \u0161patn\u00e9m zvolen\u00ed \u0161k\u00e1ly v grafu, kter\u00fd \u0159e\u0161\u00ed n\u00e1r\u016fst vydan\u00fdch fantasy knih. A jak tomu zabr\u00e1nit? Prost\u011b to ned\u011blat.<\/p>\n<p style=\"text-align: center;\"><strong>6. Na Google Scholar zjist\u011bte, jak\u00e1 je citovanost akademika, na kter\u00e9ho chcete odkazovat ve sv\u00e9 pr\u00e1ci (prav\u00fd sloupec polo\u017eka citace). P\u0159idejte odkaz.<\/strong><\/p>\n<p>Vybrala jsem si Terezu D\u011bdinovou jako jednoho z m\u00e1la z\u00e1stupc\u016f liter\u00e1rn\u00edch teoretik\u016f, kte\u0159\u00ed se u n\u00e1s v\u011bnuj\u00ed fantastice. Mezi nejcitovan\u011bj\u0161\u00ed pat\u0159\u00ed monografie <em>Po divn\u00e9 krajin\u011b<\/em> s 23 <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/scholar.google.com\/scholar?start=0&amp;q=Tereza+D%C4%9Bdinov%C3%A1&amp;hl=cs&amp;as_sdt=0,5\">citacemi<\/a><\/span>.&nbsp;<\/p>\n<p><\/p>\n<p style=\"text-align: center;\"><strong>7. Jak\u00e9 vn\u00edm\u00e1te p\u0159\u00ednosy Open access ve v\u011bd\u011b?<\/strong><\/p>\n<p>Problematika sd\u00edlen\u00ed informac\u00ed a vlastn\u011b celkov\u00e9mu p\u0159\u00edstupu k informac\u00edm m\u011b v podstat\u011b hodn\u011b namotivovala pokra\u010dovat ve studiu. Je sice pravdou, \u017ee pandemie Sars-Cov-2 p\u0159\u00edstup ke sd\u00edlen\u00ed informac\u00ed dost prom\u011bnila, po\u0159\u00e1d to nen\u00ed r\u016f\u017eov\u00e9. Jako laik jsem nem\u011bla p\u0159\u00edstup ke v\u0161em \u010dl\u00e1nk\u016fm, kter\u00e9 jsem pot\u0159ebovala ve sv\u00e9m soukrom\u00e9m b\u00e1d\u00e1n\u00ed o fantastice, a platit za n\u011b bylo mimo m\u00e9 finan\u010dn\u00ed mo\u017enosti. Souhlas\u00edm s t\u00edm, \u017ee by v\u011bda m\u011bla b\u00fdt dostupn\u00e1 v\u0161em, co o to stoj\u00ed. Bez bari\u00e9r a p\u0159ek\u00e1\u017eek.<\/p>\n<p><\/p>\n<p style=\"text-align: center;\"><strong>8. Jak\u00e9 vlivy na v\u011bdeck\u00e9 pozn\u00e1n\u00ed v\u00e1m p\u0159ijdou zaj\u00edmav\u00e9 a \u010d\u00edm? Nemus\u00edte se \u0159\u00eddit pouze studijn\u00edm textem.<\/strong><\/p>\n<p>V m\u00e9m p\u0159\u00edpad\u011b to jsou granty. Ruku na srdce, z\u00e1kladn\u00ed platebn\u00ed ohodnocen\u00ed doktorand\u016f nen\u00ed moc dobr\u00e9. Je to sice lep\u0161\u00ed ne\u017e v minulosti, av\u0161ak po\u0159\u00e1d se jedn\u00e1 o dosti nedosta\u010duj\u00edc\u00ed sumu. Tak\u017ee m\u00edsto toho, aby se doktorand mohl v\u011bnovat \u010dist\u011b studiu a v\u011bdeck\u00e9mu v\u00fdzkumu, je nucen je\u0161t\u011b hledat p\u0159iv\u00fdd\u011blek, kter\u00fd mu z jeho drahocenn\u00e9ho \u010dasu ukousne t\u0159eba polovinu, kterou mohl v\u011bnovat disertaci. \u0158e\u0161en\u00edm mohou b\u00fdt granty, ano&#8230;ale ne ka\u017ed\u00fd obor m\u00e1 \u0161anci na n\u011bj dos\u00e1hnout, nebo t\u0159eba doktorand po\u0159\u00e1dn\u011b nev\u00ed, jak o n\u011bj za\u017e\u00e1dat. A kdy\u017e se p\u0159ihl\u00e1s\u00ed na n\u011bjak\u00fd workshop, tak se tam stejn\u011b \u0159e\u0161\u00ed p\u0159\u00edrodn\u00ed v\u011bdy a na humanitn\u00ed (a obzvl\u00e1\u0161\u0165 liter\u00e1rn\u00ed) jako by se zapomn\u011blo.&nbsp;<\/p>\n<p><\/p>\n<p style=\"text-align: center;\"><strong>9. Co je plagi\u00e1torstv\u00ed a jak mu p\u0159edej\u00edt?<\/strong><\/p>\n<p>Pokus\u00edm se o velmi neum\u011bl\u00e9 shrnut\u00ed, jak plagi\u00e1torstv\u00ed vid\u00edm j\u00e1 &#8211; je to v\u011bdom\u00e9 vyd\u00e1v\u00e1n\u00ed ciz\u00ed pr\u00e1ce za svou bez adekv\u00e1tn\u00edho odkazov\u00e1n\u00ed. A jak mu p\u0159edej\u00edt? Prost\u011b a jednodu\u0161e to ned\u011blat. Nebo odkazovat ihned, kdy se rozhodneme ocitovat konkr\u00e9tn\u00ed v\u011btu nebo obr\u00e1zek. Kdy\u017e to neud\u011bl\u00e1me, tak hroz\u00ed, \u017ee zapomeneme, \u017ee se nejedn\u00e1 o na\u0161i my\u0161lenku. A dostaneme se do situace nev\u011bdom\u00e9ho plagiov\u00e1n\u00ed, co\u017e se je\u0161t\u011b smutn\u011bj\u0161\u00ed, proto\u017ee pramen\u00ed z na\u0161\u00ed nepe\u010dlivosti.&nbsp;<\/p>\n<p><\/p>\n<p style=\"text-align: center;\"><strong>10. Jak\u00e1 cita\u010dn\u00ed norma se vyu\u017e\u00edv\u00e1 ve va\u0161em oboru? Zjist\u011bte nap\u0159. na str\u00e1nk\u00e1ch va\u0161eho pracovi\u0161t\u011b nebo u vyu\u010duj\u00edc\u00edch.<\/strong><\/p>\n<p>U n\u00e1s na \u00fastavu pou\u017e\u00edv\u00e1me cita\u010dn\u00ed normu ISO 690, av\u0161ak jedn\u00e1 se sp\u00ed\u0161 o \u00fazus, kter\u00fd nen\u00ed kodifikov\u00e1n \u017e\u00e1dnou vyhl\u00e1\u0161kou.&nbsp;<\/p>\n<p><\/p>\n\n\n<div class=\"wp-block-image is-style-rounded\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/12\/orion-nebula-ga8f144d31_1920-1024x576.jpg\" alt=\"\" class=\"wp-image-294\" width=\"497\" height=\"279\" srcset=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/12\/orion-nebula-ga8f144d31_1920-1024x576.jpg 1024w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/12\/orion-nebula-ga8f144d31_1920-300x169.jpg 300w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/12\/orion-nebula-ga8f144d31_1920-768x432.jpg 768w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/12\/orion-nebula-ga8f144d31_1920-1536x864.jpg 1536w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/12\/orion-nebula-ga8f144d31_1920.jpg 1920w\" sizes=\"auto, (max-width: 497px) 100vw, 497px\" \/><\/figure><\/div>\n\n\n<p style=\"text-align: center;\"><strong>11. V t\u00e9to cita\u010dn\u00ed norm\u011b vytvo\u0159te s pomoc\u00ed v\u00e1mi vybran\u00e9ho gener\u00e1toru citac\u00ed citace pro: <\/strong><strong>a. Knihu (kter\u00e1 se n\u011bjak t\u00fdk\u00e1 va\u0161eho vybran\u00e9ho t\u00e9matu) <\/strong><strong>b. Elektronick\u00fd \u010dl\u00e1nek&nbsp; c. Webovou str\u00e1nku (odborn\u00e9ho) webu (t\u00fdkaj\u00edc\u00edho se va\u0161eho t\u00e9matu) d. Obr\u00e1zek na webu&nbsp;<\/strong><\/p>\n<p>a.<\/p>\n<p class=\"Odstavec1\">D\u011aDINOV\u00c1, Tereza: <i>Po divn\u00e9 krajin\u011b: charakteristika a vnit\u0159n\u00ed \u010dlen\u011bn\u00ed fantastick\u00e9 literatury<\/i>. Brno: Filozofick\u00e1 fakulta, Masarykova univerzita, 2015. ISBN 978-80-210-7871-0.<\/p>\n<p>b.<\/p>\n<p>KUDL\u00c1\u010c, Anton\u00edn K. K.: <em>\u010cesk\u00e1 \u017e\u00e1nrov\u00e1 literatura (sci-fi a fantasy). <\/em>\u010cesk\u00e1 literatura 7. 12. 2018 [online]. [cit. 4. 12. 2021]. Dostupn\u00e9 na: <a href=\"https:\/\/www.czechlit.cz\/cz\/feature\/ceska-zanrova-literatura-sci-fi-a-fantasy\/\">https:\/\/www.czechlit.cz\/cz\/feature\/ceska-zanrova-literatura-sci-fi-a-fantasy\/<\/a><\/p>\n<p>c.&nbsp;<\/p>\n<p><i>Sarden &#8211; internetov\u00fd magaz\u00edn o sci-fi a fantastice<\/i>&nbsp;[online]. [cit. 2021-12-04]. Dostupn\u00e9 z: https:\/\/sarden.cz\/<\/p>\n<p>(Tady jen chci dodat, \u017ee tato str\u00e1nka je d\u00edlem mnoha autor\u016f, nem\u00e1 \u017e\u00e1dn\u00e9 s\u00eddlo, pota\u017emo nakladatelstv\u00ed, tud\u00ed\u017e byla takto zkr\u00e1cena)<\/p>\n<p>d.&nbsp;<\/p>\n<p>[Mlhovina v Orionu]. In: Pixabay.com [online]. 15. prosince 2011 [cit. 2021-12 -04]. Dostupn\u00e9 z: <a href=\"https:\/\/pixabay.com\/cs\/photos\/mlhovina-v-orionu-emisn%c3%ad-mlhovina-11107\/\">https:\/\/pixabay.com\/cs\/photos\/mlhovina-v-orionu-emisn%c3%ad-mlhovina-11107\/&nbsp;<\/a><\/p>\n<p><\/p>\n<p style=\"text-align: center;\"><strong>12. Pokud byste tento \u00fakol cht\u011bli pou\u017e\u00edt jako manu\u00e1l pro va\u0161e spolu\u017e\u00e1ky \u010di jinou skupinu a rozhodli se pro licenci Creative Commons, kterou byste vybrali a pro\u010d?<\/strong><\/p>\n<p>V tomto p\u0159\u00edpad\u011b bych se klonila k variant\u011b BY- NC (<span data-contrast=\"auto\">Uve\u010fte p\u016fvod \u2013 Neu\u017e\u00edvejte komer\u010dn\u011b). Jsem pro otev\u0159enost v\u011bdy, ale asi by m\u011b dost mrzelo, kdyby mou pr\u00e1ci n\u011bkdo pou\u017eil pro sv\u016fj finan\u010dn\u00ed zisk. V p\u0159\u00edpad\u011b m\u00e9 tvorby jsem je\u0161t\u011b p\u0159\u00edsn\u011bj\u0161\u00ed &#8211; to pou\u017e\u00edv\u00e1m BY-NC-ND (Uve\u010fte p\u016fvod \u2013 Neu\u017e\u00edvejte komer\u010dn\u011b \u2013 Nezpracov\u00e1vejte). Pro\u010d je asi pochopiteln\u00e9.<\/span><\/p>\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n<h2 style=\"text-align: center;\">V\u00fdvoj \u010desk\u00e9 fantasy 2.0<\/h2>\n<p>Jeliko\u017e m\u011b dle m\u00fdch o\u010dek\u00e1v\u00e1n\u00ed Scopus nechal na holi\u010dk\u00e1ch, musela jsem se uch\u00fdlit k \u010desk\u00fdm zdroj\u016fm. Po prozkoum\u00e1n\u00ed jsem si uv\u011bdomila, \u017ee z\u00edskan\u00e9 informace maj\u00ed r\u016fznou hodnotu. A t\u00edm vyvstal probl\u00e9m, kter\u00fd bylo t\u0159eba za\u010d\u00edt \u0159e\u0161it. Jsou v\u0161echny \u010dl\u00e1nky relevantn\u00ed a maj\u00ed adekv\u00e1tn\u00ed pozn\u00e1mkov\u00fd apar\u00e1t s dostate\u010dn\u00fdm mno\u017estv\u00ed zdroj\u016f? Vybrala jsem si t\u0159i texty: jeden \u010dl\u00e1nek v odborn\u00e9m periodiku, jeden \u010dl\u00e1nek v online prost\u0159ed\u00ed a jednu diplomovou pr\u00e1ci.&nbsp;<\/p>\n<p><\/p>\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"440\" src=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Mind-Map-2-1024x440.jpg\" alt=\"\" class=\"wp-image-246\" srcset=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Mind-Map-2-1024x440.jpg 1024w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Mind-Map-2-300x129.jpg 300w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Mind-Map-2-768x330.jpg 768w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Mind-Map-2-1536x660.jpg 1536w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Mind-Map-2-2048x880.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image is-style-rounded\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Lotr300045-750x1024.jpg\" alt=\"\" class=\"wp-image-266\" width=\"276\" height=\"377\" srcset=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Lotr300045-750x1024.jpg 750w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Lotr300045-220x300.jpg 220w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Lotr300045-768x1049.jpg 768w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Lotr300045-1125x1536.jpg 1125w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Lotr300045-1500x2048.jpg 1500w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Lotr300045.jpg 1614w\" sizes=\"auto, (max-width: 276px) 100vw, 276px\" \/><\/figure><\/div>\n\n\n<p>Analyzovala jsem je podle metody <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/kisk.phil.muni.cz\/kpi\/aktualne\/aktuality\/imrad-struktura-pro-cteni-a-psani-studii\">IMRAD <\/a><\/span>(m\u00edrn\u011b poupravenou pro pot\u0159eby liter\u00e1rn\u00ed v\u011bdy) a postupn\u011b se v\u011bnovala t\u011bmto bod\u016fm:<\/p>\n<ul>\n<li>C\u00edl v\u00fdzkumu,<\/li>\n<li>v\u00fdzkumn\u00e1 ot\u00e1zka \u010di ot\u00e1zky,<\/li>\n<li>p\u0159ehled literatury,<\/li>\n<li>metodologie,<\/li>\n<li>v\u00fdzkumn\u00e1 strategie,<\/li>\n<li>na co se p\u0159i\u0161lo.<\/li>\n<\/ul>\n<h4>1.Odborn\u00fd \u010dl\u00e1nek<\/h4>\n<p style=\"text-align: center;\"><strong>Tereza D\u011bdinov\u00e1 a Jan K\u0159e\u010dek:<span style=\"color: #0000ff;\"> <a style=\"color: #0000ff;\" href=\"https:\/\/casopishost.cz\/files\/magazines\/326\/pxcjcxje-host-18-04-el.pdf\">Jak je na tom sou\u010dasn\u00e1 \u010desk\u00e1 fantastika<\/a><\/span> (2018)<\/strong><\/p>\n<p>Tento \u010dl\u00e1nek vy\u0161el v \u010dasopise Host, co\u017e je periodikum velice \u0161iroce rozkro\u010deno mezi liter\u00e1rn\u00ed v\u011bdou a beletri\u00ed.&nbsp;<br>Ze zvolen\u00e9 trojice materi\u00e1l\u016f jsem p\u0159edpokl\u00e1dala, \u017ee budou napln\u011bny v\u0161echny body metody IMRAD. Jak m\u016f\u017eete vid\u011bt <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/mega.nz\/file\/9t8AmCLQ#SCC1Ut2-bUWokaew54MQhgZr2o-EDC4O015dskRfbr4\">zde<\/a><\/span> (sou\u010d\u00e1st\u00ed jsou i pozn\u00e1mky ke struktu\u0159e), v z\u00e1v\u011bru chyb\u00ed uveden\u00e9 zdroje, co\u017e beru jako nejv\u011bt\u0161\u00ed p\u0159ek\u00e1\u017eku p\u0159i zpracov\u00e1v\u00e1n\u00ed \u010dl\u00e1nku. K odkazov\u00e1n\u00ed ale doch\u00e1z\u00ed pr\u016fb\u011b\u017en\u011b v textu a d\u00edky tomu jsem z\u00edskala odkazy na dal\u0161\u00ed mo\u017en\u00e9 u\u017eite\u010dn\u00e9 studie (nap\u0159. <em>Hodnota a hodnocen\u00ed literatury science fiction&nbsp;<\/em>od Otakara Slana\u0159e)<\/p>\n<p>I p\u0159es podrobn\u011b popsan\u00fd v\u00fdvoj \u010desk\u00e9 fantastiky nemohu tento \u010dl\u00e1nek vyu\u017e\u00edt 100% &#8211; auto\u0159i se v n\u011bm s p\u0159evahou zmi\u0148uj\u00ed o v\u00fdvoji \u010desk\u00e9 science fiction a m\u016fj v\u00fdzkumn\u00fd probl\u00e9m se t\u00fdk\u00e1 jen \u010desk\u00e9 fantasy.<\/p>\n<h4>2. Diplomov\u00e1 pr\u00e1ce<\/h4>\n<p style=\"text-align: center;\"><strong>Boris Hokr: <a href=\"https:\/\/theses.cz\/id\/edi7kr\/downloadPraceContent_adipIdno_10519\"><span style=\"color: #0000ff;\">Fantasy &#8211; teorie \u017e\u00e1nru a jeho aspekty<\/span><\/a> (2010)<\/strong><\/p>\n<p>Diplomov\u00e9 pr\u00e1ce mohou b\u00fdt z\u00e1rove\u0148 studnic\u00ed informac\u00ed a z\u00e1rove\u0148 \u010dernou d\u00edrou. Rizika tkv\u00ed hlavn\u011b v neust\u00e1l\u00e9m opakov\u00e1n\u00ed t\u011bch sam\u00fdch zdroj\u016f ,ale vy se stejn\u011b prokou\u0161ete v\u0161\u00edm dostupn\u00fdm, proto\u017ee co kdyby. S naprost\u00fdm klidem m\u016f\u017eete zve\u0159ejn\u011bn\u00e9 pr\u00e1ce pro\u010d\u00edtat a br\u00e1t je v potaz, proto\u017ee IMRAD struktura je napl\u0148ov\u00e1na v\u017edy.<\/p>\n<p>Tuto pr\u00e1ci jsem si vybrala p\u0159edev\u0161\u00edm kv\u016fli osobnosti Borise Hokra, kter\u00fd je velmi \u00fazce napojen na \u010desk\u00fd fandom. Po p\u0159e\u010dten\u00ed obsahu mi bylo jasn\u00e9, \u017ee pro m\u011b nejp\u0159\u00ednosn\u011bj\u0161\u00ed bude <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/mega.nz\/file\/pg8EBAxB#dLYnKEpPwCSzUaCyqrXWQkUbQKRZtf8FKMRti6PYCu0\">kapitola<\/a><\/span> o v\u00fdvoji \u010desk\u00e9 fantasy (s. 52 a 54) a p\u0159edev\u0161\u00edm zdroje. Vzhledem k tomu, \u017ee se jedn\u00e1 o diplomovou pr\u00e1ci, v\u00fdzkumn\u00fd c\u00edl byl stanoven jasn\u011b (i kdy\u017e se prim\u00e1rn\u011b net\u00fdkal liter\u00e1rn\u00ed historie), v textu bylo odkazov\u00e1no na literaturu a v\u00fdzkumn\u00e1 strategie byla adekv\u00e1tn\u011b zvolena t\u00e9matu.&nbsp;<\/p>\n<p>Pas\u00e1\u017e v\u011bnovan\u00e1 liter\u00e1rn\u00ed historii mi poskytla dobr\u00fd odrazov\u00fd m\u016fstek. Nev\u00fdhodou je koncov\u00fd rok 2009, tud\u00ed\u017e je na mn\u011b doplnit zbyl\u00fdch 10 let.<\/p>\n<h4>3. \u010cl\u00e1nek v internetov\u00e9m \u010dasopise CzechLit<\/h4>\n<p style=\"text-align: center;\"><strong>Anton\u00edn K. K. Kudl\u00e1\u010d: <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.czechlit.cz\/cz\/feature\/ceska-zanrova-literatura-sci-fi-a-fantasy\/\">\u010cesk\u00e1 \u017e\u00e1nrov\u00e1 literatura (sci-fi a fantasy)<\/a> <\/span>(2018)<\/strong><\/p>\n<p>Struktura tohoto \u010dl\u00e1nku m\u00e1 podle IMRAD nejv\u011bt\u0161\u00ed <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/mega.nz\/file\/ZhEG0BKL#aNEiVo4LJybcmDMO-lnbYBvRyHmcgvfdlBBDRW_LXx0\">d\u00edry<\/a><\/span> &#8211; obsahuje pouze v\u00fdzkumnou ot\u00e1zku\/ c\u00edl a na co se p\u0159i\u0161lo (i to ale mus\u00edme hledat jinde, ne\u017e v z\u00e1v\u011bru, kter\u00fd je shrnut jen v jednom odstavci). Nep\u0159\u00edtomnost zdroj\u016f ale pro m\u011b nen\u00ed p\u0159ekvapuj\u00edc\u00ed &#8211; v\u00fdvoj \u010desk\u00e9 fantasy nikde dopodrobna zmapov\u00e1n nen\u00ed a tento \u010dl\u00e1nek si neklade za c\u00edl zevrubn\u011b toto t\u00e9ma zpracovat (jak se o to sna\u017eil nap\u0159. Boris Hokr), ale komplexn\u011b \u010dten\u00e1\u0159\u016fm p\u0159edstavit d\u016fle\u017eit\u00e9 mezn\u00edky ve v\u00fdvoji \u010desk\u00e9 \u017e\u00e1nrov\u00e9 literatury.<\/p>\n<p>Tato pr\u00e1ce mi pom\u016f\u017ee zaplnit mezeru mezi l\u00e9ty 2009 a 2018 a i p\u0159es to, \u017ee se jedn\u00e1 o &#8222;pouh\u00fd&#8220; internetov\u00fd zdroj, tak mi poskytuje pot\u0159ebn\u00e9 informace. Autor je v m\u00fdch o\u010d\u00edch op\u011bt kompetentn\u00ed osoba &#8211; Anton\u00edn K. K. Kudl\u00e1\u010d je jend\u00edm z m\u00e1la liter\u00e1rn\u00edch v\u011bdc\u016f, kte\u0159\u00ed se aktivn\u011b zab\u00fdvaj\u00ed \u010deskou fantastikou.<\/p>\n<h3 style=\"text-align: center;\">Z\u00e1v\u011brem<\/h3>\n<p>Zjistila jsem, \u017ee paradoxn\u011b nejl\u00e9pe, jak p\u0159i transparentn\u00edm stanoven\u00ed c\u00edl\u016f, metodologie a literatury, vy\u0161la ze t\u0159\u00ed uk\u00e1zek diplomov\u00e1 pr\u00e1ce. V\u011b\u0159\u00edm, \u017ee pokud bych volila v\u00edce impaktov\u00fd \u010dasopis, tak by prvenstv\u00ed obdr\u017eel \u010dl\u00e1nek v n\u011bm oti\u0161t\u011bn\u00fd. Ka\u017edop\u00e1dn\u011b, metodologie v p\u0159\u00edpad\u011b liter\u00e1rn\u00ed v\u011bdy neb\u00fdv\u00e1 moc viditeln\u00e1, projevuje se sp\u00ed\u0161e v odkazov\u00e1n\u00ed na relevantn\u00ed dostupnou literaturu. Podle toho se d\u00e1 poznat, jestli je autor sp\u00ed\u0161e strukturalista nebo souzn\u00ed s jinou liter\u00e1rn\u00ed \u0161kolou\/teori\u00ed.<\/p>\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n<h2 style=\"text-align: center;\">V\u00fdvoj \u010desk\u00e9 fantasy<\/h2>\n<p>Aktu\u00e1ln\u011b zpracov\u00e1v\u00e1m t\u00e9ma v\u00fdvoje \u010desk\u00e9 fantasy jako jednu \u010d\u00e1st kapitoly m\u00e9 diserta\u010dn\u00ed pr\u00e1ce. Nen\u00ed m\u00fdm prim\u00e1rn\u00edm c\u00edlem vytvo\u0159it zevrubn\u00fd popis a charakteristiku tohoto t\u00e9matu, ale je zapot\u0159eb\u00ed nast\u00ednit nejd\u016fle\u017eit\u011bj\u0161\u00ed miln\u00edky v\u00fdvoje.<\/p>\n\n\n<div class=\"wp-block-image is-style-rounded\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"269\" src=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Mind-Map-1024x269.jpg\" alt=\"\" class=\"wp-image-199\" srcset=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Mind-Map-1024x269.jpg 1024w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Mind-Map-300x79.jpg 300w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Mind-Map-768x201.jpg 768w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Mind-Map-1536x403.jpg 1536w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/Mind-Map-2048x537.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image is-style-rounded\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/42300049-771x1024.jpg\" alt=\"\" class=\"wp-image-228\" width=\"393\" height=\"522\" srcset=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/42300049-771x1024.jpg 771w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/42300049-226x300.jpg 226w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/42300049-768x1020.jpg 768w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/42300049-1156x1536.jpg 1156w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/42300049-1541x2048.jpg 1541w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/42300049.jpg 1625w\" sizes=\"auto, (max-width: 393px) 100vw, 393px\" \/><\/figure><\/div>\n\n\n<p style=\"text-align: center;\">K tomuto t\u00e9matu p\u0159istupuj\u00ed s tez\u00ed, \u017ee v \u010desk\u00e9m prost\u0159ed\u00ed je\u0161t\u011b nikdo \u017e\u00e1dnou odbornou studii neprovedl. P\u0159edpokl\u00e1d\u00e1m, \u017ee najdu jen stru\u010dn\u00e9 zm\u00ednky, kter\u00e9 budou zam\u011b\u0159eny sp\u00ed\u0161e na sci-fi a to z d\u016fvodu specifick\u00e9ho postaven\u00ed fantasy v r\u00e1mci \u010desk\u00e9 fantastiky.<\/p>\n<p style=\"text-align: center;\">Vzhledem k tomu, \u017ee se jedn\u00e1 o \u010deskou liter\u00e1rn\u00ed historii, nep\u0159edpokl\u00e1d\u00e1m, \u017ee na <strong>Scopusu<\/strong> naleznu relevantn\u00ed informace. Kv\u016fli jazykov\u00fdm odli\u0161nostem (hlavn\u011b kv\u016fli term\u00ednu fantasy, kter\u00fd se v anglosask\u00e9m prost\u0159ed\u00ed ch\u00e1pe trochu jinak ne\u017e u n\u00e1s) jsou i kl\u00ed\u010dov\u00e1 slova odli\u0161n\u00e1. Pro vyhled\u00e1v\u00e1n\u00ed v odborn\u00fdch datab\u00e1z\u00edch budu vyu\u017e\u00edvat <strong>Theses<\/strong> (\u010deskou datab\u00e1z\u00ed kvalifika\u010dn\u00edch prac\u00ed) a <strong>ResearchGate<\/strong>.<\/p>\n<p style=\"text-align: center;\">Abych se vymanila ze sv\u00e9 \u201evyhled\u00e1vac\u00ed bubliny\u201c, pou\u017eiji vyhled\u00e1va\u010d <strong>Duck Duck Go<\/strong>.<\/p>\n<p style=\"text-align: center;\"><strong>Pou\u017eit\u00e9 vyhled\u00e1va\u010de<\/strong> \u2013 Google, Duck Duck Go<\/p>\n<p style=\"text-align: center;\"><strong>Pou\u017eit\u00e9 datab\u00e1ze odborn\u00fdch text\u016f<\/strong> &#8211; Theses (okrajov\u011b Scopus a ResearchGate)<\/p>\n<p style=\"text-align: center;\"><strong>Kl\u00ed\u010dov\u00e1 slova&nbsp;<\/strong><\/p>\n<p style=\"text-align: center;\">\u010desk\u00e1 fantasy, \u010desk\u00e1 fantastika, osobnosti \u010desk\u00e9 fantasy, v\u00fdvoj \u010desk\u00e9 fantasy, d\u011bjiny \u010desk\u00e9 fantasy<\/p>\n<p style=\"text-align: center;\">Czech fantasy literature, Czech urban fantasy, history of Czech fantasy, subgenres of Czech fantasy<\/p>\n<h4 style=\"text-align: center;\"><strong>Google vs. Duck Duck Go<\/strong><\/h4>\n<p>Nejd\u0159\u00edve jsem \u010desk\u00e1 kl\u00ed\u010dov\u00e1 slova prohnala ob\u011bma vyhled\u00e1va\u010di. Jak jsem o\u010dek\u00e1vala, v\u00fdsledky byly odli\u0161n\u00e9. P\u0159i\u0161lo mi, \u017ee vyhled\u00e1va\u010d od Googlu nejd\u0159\u00edve nab\u00edzel odkazy na internetov\u00e1 knihkupectv\u00ed a a\u017e pot\u00e9 pro m\u011b relevantn\u00ed str\u00e1nky. P\u0159ikl\u00e1d\u00e1m na srovn\u00e1n\u00ed vyhled\u00e1v\u00e1n\u00ed kl\u00ed\u010dov\u00e9ho slova <em>\u010desk\u00e1 fantasy<\/em>:<\/p>\n<p><\/p>\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"945\" height=\"768\" src=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/CF_G-4.png\" alt=\"\" data-id=\"219\" data-full-url=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/CF_G-4.png\" data-link=\"https:\/\/teachorperish.zelinovi.cz\/index.php\/ja-student-a-vedec\/cf_g-4\/\" class=\"wp-image-219\" srcset=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/CF_G-4.png 945w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/CF_G-4-300x244.png 300w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/CF_G-4-768x624.png 768w\" sizes=\"auto, (max-width: 945px) 100vw, 945px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"985\" height=\"818\" src=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/CF_D-4.png\" alt=\"\" data-id=\"218\" data-full-url=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/CF_D-4.png\" data-link=\"https:\/\/teachorperish.zelinovi.cz\/index.php\/ja-student-a-vedec\/cf_d-4\/\" class=\"wp-image-218\" srcset=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/CF_D-4.png 985w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/CF_D-4-300x249.png 300w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/CF_D-4-768x638.png 768w\" sizes=\"auto, (max-width: 985px) 100vw, 985px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n<h3 style=\"text-align: center;\">Datab\u00e1ze odborn\u00fdch text\u016f<\/h3>\n<p>M\u00e9 t\u00e9ma je zna\u010dn\u011b omezeno okruhem dostupn\u00fdch text\u016f. Bylo mi jasn\u00e9, \u017ee p\u016fvodn\u00ed texty v angli\u010dtin\u011b o v\u00fdvoji \u010desk\u00e9 fantasy nenaleznu. A samotn\u00e9 vyhled\u00e1v\u00e1n\u00ed mou hypot\u00e9zu jen potvrdilo. Nejv\u00edce v\u00fdsledk\u016f bylo v p\u0159\u00edpad\u011b port\u00e1lu <strong>Theses<\/strong>. Co m\u011b ale p\u0159ekvapilo, byly v\u00fdsledky na port\u00e1lu <strong>ResearchGate<\/strong>. O\u010dek\u00e1vala jsem, \u017ee jako prvn\u00ed bude studie Terezy D\u011bdinov\u00e9 a i p\u0159es r\u016fzn\u00e9 obm\u011bny kl\u00ed\u010dov\u00fdch slov a zadan\u00fdch oper\u00e1tor\u016f mi vych\u00e1zela a\u017e na t\u0159et\u00edm m\u00edst\u011b.<\/p>\n<h4 style=\"text-align: center;\"><strong>Scopus x ResearchGate x Theses<\/strong><\/h4>\n<p><\/p>\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"624\" src=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/research-1024x624.png\" alt=\"\" data-id=\"222\" data-full-url=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/research.png\" data-link=\"https:\/\/teachorperish.zelinovi.cz\/index.php\/ja-student-a-vedec\/research\/\" class=\"wp-image-222\" srcset=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/research-1024x624.png 1024w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/research-300x183.png 300w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/research-768x468.png 768w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/research.png 1416w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"455\" src=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/scopus-1024x455.png\" alt=\"\" data-id=\"223\" data-full-url=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/scopus.png\" data-link=\"https:\/\/teachorperish.zelinovi.cz\/index.php\/ja-student-a-vedec\/scopus\/\" class=\"wp-image-223\" srcset=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/scopus-1024x455.png 1024w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/scopus-300x133.png 300w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/scopus-768x342.png 768w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/scopus-1536x683.png 1536w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/scopus.png 1911w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"497\" src=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/theses-1024x497.png\" alt=\"\" data-id=\"224\" data-full-url=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/theses.png\" data-link=\"https:\/\/teachorperish.zelinovi.cz\/index.php\/ja-student-a-vedec\/theses\/\" class=\"wp-image-224\" srcset=\"https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/theses-1024x497.png 1024w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/theses-300x146.png 300w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/theses-768x373.png 768w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/theses-1536x746.png 1536w, https:\/\/teachorperish.zelinovi.cz\/wp-content\/uploads\/2021\/11\/theses.png 1773w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n<h3 style=\"text-align: center;\"><strong>Z\u00e1v\u011brem<\/strong><\/h3>\n<p>D\u00edky tomuto vyhled\u00e1v\u00e1n\u00ed se jen potvrdily m\u00e9 obavy. Nezb\u00fdv\u00e1 mi nic jin\u00e9ho, ne\u017e vyzob\u00e1vat informace ze studi\u00ed, kter\u00e9 ji\u017e vy\u0161ly, ale \u0159e\u0161\u00ed fantastiku obecn\u011b nebo zmi\u0148uj\u00ed fantasy jen okrajov\u011b. A samoz\u0159ejm\u011b, v tomto p\u0159\u00edpad\u011b mi nezb\u00fdv\u00e1 nic jin\u00e9ho ne\u017e prov\u00e9st individu\u00e1ln\u00ed pr\u016fzkum na z\u00e1klad\u011b specializovan\u00fdch web\u016f, \u010dasopis\u016f spole\u010dn\u011b s rozhovory samotn\u00fdch spisovatel\u016f a velik\u00e1n\u016f \u010desk\u00e9ho fandomu.<\/p>","protected":false},"excerpt":{"rendered":"<p>Cesta do hlubin publikov\u00e1n\u00ed odborn\u00e9ho \u010dl\u00e1nku Mgr. Tereza Zelinov\u00e1 489427@muni.cz \u00dastav jazykov\u011bdy a baltistiky \u2013 Filozofick\u00e1 fakulta Masarykovy univerzity Kl\u00ed\u010dov\u00e1 slova: vztah fantasy a m\u00fdtu,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-85","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/teachorperish.zelinovi.cz\/index.php\/wp-json\/wp\/v2\/pages\/85","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teachorperish.zelinovi.cz\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/teachorperish.zelinovi.cz\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/teachorperish.zelinovi.cz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/teachorperish.zelinovi.cz\/index.php\/wp-json\/wp\/v2\/comments?post=85"}],"version-history":[{"count":67,"href":"https:\/\/teachorperish.zelinovi.cz\/index.php\/wp-json\/wp\/v2\/pages\/85\/revisions"}],"predecessor-version":[{"id":332,"href":"https:\/\/teachorperish.zelinovi.cz\/index.php\/wp-json\/wp\/v2\/pages\/85\/revisions\/332"}],"wp:attachment":[{"href":"https:\/\/teachorperish.zelinovi.cz\/index.php\/wp-json\/wp\/v2\/media?parent=85"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}